SALLY’S BEAUTY SPOT (1990) is her first film and is widely taught in Asian American, Film, and Gender and Women’s Studies programs. Her works address diasporic gendered subjectivities in cinema, encompassing feminist and transnational perspectives. Helen Lee is an independent filmmaker based in Toronto and Seoul whose narrative and experimental films explore intersectionalities of place, identity and sexuality. Brimming with surreal, breathtaking, elegiac imagery, this sensuously rendered tale of loss, love and longing resonates long after its shocking conclusion. Originally shot on digital video, the film captures the grit and garishness of an alien urban landscape while plumbing the melancholy dream space where the character retreats even as she searches for her very life. Though her path to self-destruction and ultimate self-revelation ironically and tragically mirrors that of her imagined biological mother, the past remains elusive to her, the secret intact.

army camp town and the bustling flower markets of Seoul. SUBROSA tracks the unnamed heroine from a sterile adoption agency office to seedy bars and motel rooms on neon strips, then to a stark U.S. This exquisitely crafted drama probes the idealized, often false constructions of cultural and maternal identities wrought by the adoptee's return. SUBROSA traces a young woman's journey to Korea, the land of her birth, to find the mother she's never known.

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